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GCSE OCR GCSE (9-1) Art and Design

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  • OCR GCSE (9-1) Art and Design
  • Contemporary Photographic Practice
  • OCR GCSE (9-1) Art and Design
  • Drawing for different purposes and means
  • Adventures in Landscape and Seascape
  • Graphic Communication
  • Contemporary Photographic Practice
  • Fashion and Textile Design techniques
  • Varing approaches to Three-Dimension Design

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Contemporary Photographic Practice

Navigate to resources by choosing units within one of the unit groups shown below.

Introduction

Overview

Delivery guides are designed to represent a body of knowledge about teaching a particular topic and contain:

  • Content: A clear outline of the content covered by the delivery guide;
  • Thinking Conceptually: Expert guidance on the key concepts involved, common difficulties students may have, approaches to teaching that can help students understand these concepts and how this topic links conceptually to other areas of the subject;
  • Thinking Contextually: A range of suggested teaching activities using a variety of themes so that different activities can be selected which best suit particular classes, learning styles or teaching approaches.

Curriculum Content

Overview

‘Photography is defined here as the practice of creating durable static or moving images by recording light with light-sensitive materials such as photographic film or digitally by means of an image sensor.’ This guide explores photography as a means of recording both artificial and natural lighting.

‘Learners must explore, acquire and develop skills, knowledge and understanding through the application of traditional and or digital techniques and processes specific to their chosen area(s) of study of Photography.’ This guide supports the development of digital skills in both recording and post production editing.

‘Learners must explore practical and relevant critical and contextual sources such as the work of historical and contemporary photographers and the different purposes, intentions and functions of photography as appropriate to their own work.’ This guide includes contextual references for each activity.

‘Learners must demonstrate the knowledge, skills and understanding through area(s) of study relevant to Photography.’ This guide offers a varied range of photographic activities aimed at broadening knowledge skills and understanding of specific areas of photographic study.

Thinking Conceptually

Overview

General approaches:

Assessment Objective 3 ‘Record’ in photography underpins the achievement in all other assessment objectives. Assessment Objective 3 states: ‘Record ideas, observations and insights relevant to intentions as work progresses.’ Qualities of photographic record can undermine experimentation and outcome. Understanding light to develop the three dimensional qualities of the subject is fundamental to photographic record. Outside the qualities of light are controlled by variables such as the weather, sun glare, day or night. In the studio you are in control of the light and although the lighting conditions are artificial, variables that affect exposure can be easily manipulated. The assessment objectives will always focus on the achievement levels of photographic record. This should be comparable to achievement levels across all specialisms and underpins all other Assessment Objectives.

Common misconceptions or difficulties students may have:

Shooting images with an automatic setting without considering qualities of light will often result in ‘grey’ images that have limited tonal contrast. A poorly shot image is almost impossible to develop to a high quality outcome through image manipulation. A high quality shot with careful consideration of lighting will often result in higher level achievement.

Thinking Contextually

Overview

The capturing of light in Photography is influenced by a wide range of external factors. The following activities provide a foundation in photographic recording using both artificial and natural light. This guide also includes experimental techniques with links, giving more opportunities and support in teaching contemporary photographic practices.

Studio Portraiture

This activity explores studio lighting techniques to develop understanding of the use of artificial lighting in studio portrait photography.

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Resources

  • Learner Resource 1
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  • Techradar
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Capturing Movement

Capturing the sculptural qualities of long exposure figure in motion photographic recording.

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Resources

  • Learner Resource 2
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  • Bill Wadman
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Photographing a model in water

Explore lighting and camera settings for producing dynamic water based photographic portraits.

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Resources

  • Learner Resource 3
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  • Staudinger-Franke
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  • Rosanna Jones
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  • Iain Crawford
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Time Lapse

Exploring time-lapse photography techniques to capture and speed up time.

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Resources

  • Learner Resource 4
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  • Nobuhiro Nakanishi
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Portrait Fragmentation

Exploring portrait fragmentation using both digital and hand cut techniques, to create unusual portrait designs.

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Resources

  • Learner Resource 5
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  • Flickr -des(z)memória [unmemory]
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  • Behance
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  • Andy Denzler
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Double exposure

Exploring double exposure image making; a digital version of a traditional analogue photographic technique in which a camera film is exposed twice (two images photographed on the same negative.)

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Resources

  • Learner Resource 6
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  • Brandon Kidwell
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Layered Portraits

This activity builds upon the studio portraiture activity earlier in this guide. In this activity the model is photographed through a series of translucent surfaces.

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  • Learner Resource 7
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  • ​Seung-Hwan OH
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  • Sally Mann
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Aerial studio portraits

This activity explores the dynamic and expressive qualities of portraits photographed from above.

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Resources

  • Learner Resource 8
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  • Kirsty Michell
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  • Behance - NAM collective
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  • Sorry I'm Late
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Surreal ‘archisculpture’ digital collages

An architectural photography activity to support the development of experimental image manipulation in the creation of a whole new world of imagination and discovery.

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Resources

  • Learner Resource 9
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  • Zabadu Haeuser
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  • ARCHISCULPTURE 2016
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  • Impossible Structures by Victor Enrich
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Acknowledgements

Overview

OCR’s resources are provided to support the teaching of OCR specifications, but in no way constitute an endorsed teaching method that is required by the Board and the decision to use them lies with the individual teacher. Whilst every effort is made to ensure the accuracy of the content, OCR cannot be held responsible for any errors or omissions within these resources. We update our resources on a regular basis, so please check the OCR website to ensure you have the most up to date version. 

© OCR 2017 - This resource may be freely copied and distributed, as long as the OCR logo and this message remain intact and OCR is acknowledged as the originator of this work.

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